Good advertising, evil advertising (1)

There is something hypocritical about the way we humans deal with advertising. One moment we’re complaining when the YouTube video is interrupted once again. At other times, we’re shivering the whole night in front of a store to get the latest smartphone, which, from a technical point of view, is barely more powerful than the cheaper competition.

If we despise advertising, it is because we are aware that we are not only distracted by it but influenced by it. Advertising triggers our most diverse emotions, which are supposed to animate us to take action. We feel manipulated, guided, glided. We don’t want to be treated like that.

But where is the line between “good” and “evil” advertising? Does it even exist? When I go to the supermarket to buy milk, I’m facing a shelf full of different milk cartons, all carrying the more or less same liquid: Whole milk with 3.5% fat.

But the packages, on the other hand, differ significantly. Some are lost in quantity. They seem to have been designed without much affection. The package shows a glass in which the milk is poured. Since the background is white overall, the milk appears grayish, almost like wet concrete. In addition, the information is kept too small, making it harder to read than the competition’s designs. An interchangeable logo makes the appearance even less attractive. Price 1.39€.

The situation is different with one of the competitor’s products. Again, the packaging says whole milk with 3.5% fat. But here, the info is concise and evident at first glance. The manufacturer’s coat of arms crowned adorns the azure packaging. In the background, radiantly bright milk also flows into a glass with illustrated cold drops of condensation. The packaging design makes you want to drink a fresh glass of milk while conveying a sense of tradition and quality. Price 1,69 €

We eat with our eyes first! Let’s assume that this sentence is true and that the milk in both packages is from the same cow. Have we been manipulated by the excellent design when we reach for the more expensive one? Were we tricked and cheated out of the 30 cents? Or did the manufacturers simply invest more time and money in a sophisticated presentation to offer the customer an exceptional drinking experience? Maybe the manufacturer sees milk as something holy. To him, it’s not just something we pour over our cereal every morning as a matter of course. He sees milk as an elixir. It’s Mother Nature’s gift to humans to survive and enjoy.

We do not know the reason for the additional effort. Maybe it’s about pure profit motive or the founder’s deep appreciation and love of food. But the fact is, we as consumers get more for the 30 cents extra cost. The decision as to whether this “more” justifies 30 cents is then entirely ours.

A toddler does not hang up his drawing. The parents do

“Every child is an artist. The problem is how to remain an artist once he grows up.”

Pablo Picasso

What exactly makes a child an artist? The first thing that comes to mind with this is fearlessness in creating. A toddler who sees a pencil and a piece of paper doesn’t hesitate for a moment. She doesn’t wonder if the paper is rough or shiny. She doesn’t consider whether the crayon is sharpened or dull. She starts, draws lines, taps dots on the paper, and tries different colors.

As soon as she is done, she puts down the pencil and runs to her friends or the next toy. She has already forgotten her work. She does not sign it and then carefully puts it in a folder. For the toddler, the picture has no value. When my son scribbles lines on a paper, I’m the one who keeps it or hangs it on the wall. He, on the other hand, moves on.

From an adult’s perspective, this is enviable. It is not about fearlessness but the absence of judgment. The child does not yet evaluate her work or compare herself. She has no expectations towards herself, her abilities, or her talent and does not think about the expectations of others. She just does it and then does it again.

This approach we can take as a model because, out of fear of the outcome, we often don’t even start or, as Homer Simpson would put it, “Trying is the first step towards failure” 😉

A sketchbook can be an outlet. It’s where we can try things out, make mistakes, and record bad drawings or ideas. The pages are not masterpieces. They are our playground. And when the book is complete, we close it and just move on. 

Creativity isn’t good or bad, nor holy, nor wicked. It’s simply human

When we create things, shape our environment and develop ideas, it triggers the most diverse feelings in us. Often it is frustrating, sometimes fulfilling and satisfying. Even a sense of pride in our own work is possible.

Creative work, it seems, has something magical about it. Sometimes we are overcome with the belief that we alone can change the world, improve it and reach for the stars with our work. To live a creative life is to live a valuable, contributing, good life. Without becoming blasphemous, creation from nothing inevitably has a spiritual, religious connotation. It must therefore be positive.

The truth is that creativity is just as cruel and destructive in nature. Torture methods of all eras are full of creativity. So are smoking campaigns, propaganda tools, and any weapons. Even the targeted starvation of the enemy by cutting off supply passes as a war strategy came from creative thinking.

I’m not sure why I’m formulating this thought on creativity right now. Maybe because I find myself putting it on a golden pedestal from time to time. Sometimes in front of others and sometimes in front of myself. Yet, like everything else that makes up life, it is dual. And thus, responsibility arises within the creative process. I find it grounding to keep this in mind from time to time.

About the two types of impatience

In creative work, there are two kinds of impatience. One moves us forward. The other gets in our way.

For example, let’s assume we take a video game design class and have an idea for a new kind of gameplay. We spend hours late at night and on weekends developing and testing. We impatiently long for a result.

A web designer feels similarly, sitting in front of a programming error and knowing that the solution can’t be far away. His curiosity is on. Even in bed, he thinks about a possible solution and can’t wait to test it first thing in the morning.

When I decided to go into illustration, I couldn’t wait to get my portfolio website online and share it with the world. I worked obsessively on illustration projects, tweaked the design and presentation for months, and prepared my social media channels. I made a detailed plan and worked every spare minute to reach my goal as quickly as possible.

This kind of impatience, triggered by passion, is unbeatably productive.

Another kind of impatience, on the other hand, has a toxic effect in the long run. The impatience for the reaction of others. The reaction to our video game, website, or illustration portfolio. 

Frustration is not far away when we begin to measure appreciation and respect through receiving job requests, likes, comments, or any other feedback. The healthiest thing to do is not to expect anything. We can only experiment, observe, adjust and adapt to our possibilities. Everything else is out of our hands.

Let’s use the time when we hypnotically check our accounts for likes to throw ourselves back with zeal into the projects we passionately can’t wait to realize.

Do you want to see the world like an artist?

Maybe you don’t feel blessed with creative talent or are not yet exceptional in your skills. But there is a hack that allows us to see the world differently and with a new view. It allows us to see it through the eyes of an artist right here and now. Are you ready? Ok.

Look for something natural in your environment, for example, a cloud or a leaf. Your task now is:

How would you explain what you see to a blind person?

Give it a try. I will go into more detail in a future post.

About criticizing creative work and being criticized for creative work

“Whoever has created something has to be asked.”

Florian Schroeder (reproduced quote from his friend)

This quote contains everything required to give and receive criticism. When we create something, it is basically to be valued. Provided is the abstinence from laziness and that it is not intended to be destructive in nature. It is, first of all, a contribution and, therefore, something positive. It is unimportant at what level the creator is. A student, as well as a professional, both deserve a minimum of respect.

Continue reading “About criticizing creative work and being criticized for creative work”

Self-generated time pressure can be a productivity booster

I’ve been writing about creativity, freelancing, and illustration daily for over four months. Last Wednesday was a jam-packed day, and started to write around 11:30pm. I was tired and didn’t know what to write about at all.

The motivation was low. I almost broke the streak and just went to bed. Then I saw that the laptop battery was showing 7%. I decided not to plug in the charging cable. The time to write something was thus limited, and so now all decisions fell quickly. In the end, I wrote two sentences beside the headline. But that was perfectly fine, and I got to bed before midnight.

Without the time pressure, I probably would have worked on the post for a long time, or maybe I wouldn’t have written it. Instead of adjusting the situation to our needs, we can try to adapt to it ourselves now and then.

Inspiration – a romantic notion of the origin of creativity

Waiting for inspiration is not enough. We have to get it, work for it. From my experience, it only comes in the making and playing. Not necessarily at that exact moment, but when we switch our minds into discovery mode.

This happens as soon as we try to physically capture our idea. For example, when an advertiser scribbles his first ideas for a campaign on a napkin, a screenwriter writes down the plot for the first time, or a children’s book illustrator draws his first sketch of the character in his sketchbook.

Once we break through that initial barrier, we start to see things that we can relate to our project or story anytime, anywhere. We put out our feelers, and we pick only the best from what the world has to offer us.

Let’s embrace frustration in the creative process. It will strike us anyway

Frustration is usually perceived as something negative. In a way, it is. Who likes that uncomfortable burning feeling behind the chest when the drawing, the layout, or the story doesn’t look like we imagined it. In our minds, it looked already finished, so simple to accomplish.

Continue reading “Let’s embrace frustration in the creative process. It will strike us anyway”

Silence is a tool for creative ideas

Creative meetings, where participants brainstorm or play ping-pong with their thoughts, are an effective way to come up with original ideas.

I believe that creative thinking in a group is ideal for starting and finishing a new project. However, in my experience, the real magic happens in silence when there are no external stimuli like voices, music, time pressure, Instagram, emails, or phone calls. When we have the opportunity to listen to what we have to say to ourselves. Whether we call it inspiration, gut feeling, or the inner voice. In solitude and silence, all the big fish of ideas swim. Steven Spielberg puts it this way:

“Your instinct, your human personal intuition always whispers. It never shouts.”

Steven Spielberg

Switching our minds into discovery mode

The first step is the most important, they say. But why is that so?

We have managed to conquer the first stage of resistance, for one thing. This can take a lot of strength, overcoming, and a lot of time in the worst case.

The best part is that the first step can be minimal. The first sketch of an idea for a new advertising campaign, the first sentence of our novel, or the first Google search on our bachelor thesis.

The first step may take a few moments, but what happens to us at that moment changes everything. Because the moment we start, we put on a pair of glasses. More precisely, we look through a template or filter from now on. We switch our minds into discovery mode.

Suddenly, whether consciously or subconsciously, we begin to perceive things around us differently related to our project. Similar to the phenomenon that if we bought a red jeep, we now start seeing red jeeps everywhere on the roads. They were always there, but now we see them first.

Our subconscious works from now on, even when we do something completely different, like the household. The well-known brilliant idea that struck us in the shower is not creativity. It is only the result of creativity.

Building a new routine: the Golden Coin Method

A small change can make much bigger changes happen in the future. That’s the idea behind the butterfly effect. Likewise, a minimal change in our daily routine can have a massive impact on our lives in the long run. The best part is that it doesn’t take much effort to drastically change our lives and achieve our goals. All it takes is some consistency and perseverance.

Continue reading “Building a new routine: the Golden Coin Method”

Let’s embrace and look for the client’s opinion

Client: “You are the expert. I’m afraid I’m not creative at all.”

A client can tell a programmer, “I don’t know anything about computers, HTML, and website programming.” However, a client cannot say to a designer that he is not creative and that his opinion is not important.

Every person is creative in their activity every day. It’s because everyone searches for solutions every day. In addition, every person also has a sense of visual aesthetics. Even if they do not work in our professional field and struggle to express why they like or dislike something.

As illustrators and designers, let’s involve the client. We may be the established experts in our field, but nothing beats a fresh look at our work to make it better. After all, that’s what it’s all about. We want to create the best possible outcome for the project, the client, us, and the audience. 

Some people may be too engaging in the creative process, trusting us too little and constricting our creative freedom. If the reasons are not destructive, there are always solutions to solve this—more on this in another post.